It’s enough to just type %Proj and then hit enter in order to get the Project Name variable. The easiest way to access the variables in to just type a % in the field and Resolve will suggest all kinds of possible variables to you. There are other variables you can access as well like %Timeline Name and %Render Resolution.
It would be nice if Resolve could automatically suggest the project name as the export name, but in the meanwhile you can type %Project Name in the field and then hit “Add to Render Queue” to get the same result.
If you typically export your video files from the render queue using the name of the actual project, it may be a bit annoying to type in the File Name field, since you have already typed it once when naming the project. Automatically name your exported video using the project name. When you are dragging a clip on the timeline and realize that the snapping preference is not working for you, you can press N to temporarily diasable or enable snapping.ĥ. Temporarily disable/enable snapping mid-operation with the N-key. View the matte from the magic wand looking symbol above the video monitor.Ĥ. Then just draw a stroke over the colors you want to isolate for grading. Use the 3D qualifier for great results when doing secondary color grading.The ones that were successfully synced, will contain two audio tracks instead of just one. If you closed the summary, don’t worry, you can easily see which clips were synced with the audio by looking at them on the timeline. It might take a while to complete and then it will give you a summary of the results. From there I prefer the “Based on waveform and append tracks” because it will keep also the original audio in place for some sanity checks.
To do that, simply select both the audio and the video clips (or even just the bins containing the audio and the bins containing the video) in the media pool and right click and choose “Auto Sync Audio”. When you start to edit such a setup in Resolve, one of the first steps is to sync the high quality audio with the video. Typically you have a low quality audio track embedded to the video coming from the video camera’s microphone and then you have a high quality set of audio files recorded with a boom or lavalier. Many professional video productions will involve separate audio files from the video. This will automatically preserve all your folder structures. The solution is to drag and drop the folder from your operating system on the area which says “Master” which is typically on the left side of the Media pool. No more creating bins in Resolve for your various footage items. Drag and drop folders of footage into Resolve with their folder structures intact.
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